Sandra Corse
Description
This work examines the development of representations of selfhood in opera in the modern period. It shows how notions of subjectivity current in vario
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us theories of modernism apply to operas, especially those which were directly or indirectly influenced by Wagner. These analyses reveal that operas may employ notions of subjectivity in various ways: as embedded in a religious context, as social critique, or as a critique of individualism.
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Genres
History
Tags
Genres & Styles
Music
Philosophy & Social Aspects
Opera
Reading Moods
No reading moods specified
Contributors
No contributors specified
Publishing Info
Publisher
Fairleigh Dickinson Univ Press
Month-Year
Jul, 2000
ISBN
ISBN-13: 9780838638583
ISBN-10: 0838638589
Language
English
No. of Pages
227
Format
Hardcover
Awards & Recognition
No awards specified
Available at
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