Nurkse, D.
Description
"Leaving Xaia's voice escapes the world of personal identity and replaces it with something eerie and compelling—an invented, believable world which p
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erhaps has been written by what Breton called "the shadow mouth"—that other, that non-I, that most fascinating stranger each of us is. Once we hear it, Breton says. we can hear no other. A frightening idea: I am still trying to hear D. Nurkse's unique music fully, understand his world, because I am fascinated by it."
—Stephen Berg
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