Klaus, Gustav, Knight, Stephen
Description
Review “ . . . a fine and stimulating collection, offering a useful range of new approaches . . .” –New Welsh Review ― New Welsh Review“ . . . stimul
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ating papers . . . Overall the volume does what good criticism should do – send one back to the writers themselves.” –Planet ― Planet“ . . . a worthy and welcome collection of essays . . . a valuable undertaking to attempt to fill a hole in our records of class struggle in industrial settings in British fiction, and such work is a vital contribution to a reassessment of the literary canon, which has been taking place along gender lines but not so much along class lines.” –Literature and History ― Literature and History Product Description British Industrial Fictions is a collection of essays on the fiction which represented the contexts, aspirations and dramas experienced by the people who worked in industry in Britain over a period of two hundred years. This fictional material was usually produced in conscious resistance to the dominant culture of the day, sometimes by middle-class sympathisers, but often by workers themselves who found time, somehow, to write about their stark experiences.Some of the essays in this collection discuss little-known aspects of industrial fiction, such as the early fiction about seamstresses, industrial writing by Welsh women authors, the largely unknown representations of ship-builders, nineteenth century nail-workers, late twentieth-century Scottish unemployed. Other essays reconsider well-known major authors and periods such as Robert Tressell, James Hanley, Alan Sillitoe, Lewis Jones, the literature of the 1926 strike; and some essays look at structural features of industrial writing such as the relation between fiction and industrial accidents in the nineteenth century, and the literary patterns of 1930s writing. About the Author Stephen Knight is Professor of English Literature at University of Wales, Cardiff. H.Gustav Klaus is Professor of Literature of the British Isles at the University of Rostock, Germany. Stephen Knight is Professor of English Literature at Cardiff University. He is the author of many essays, including ones on Raymond Williams, Gwyn Thomas and Rhys Davies, and the editor of British Industrial Fictions (UWP, 1999). His other books include Form and Ideology in Crime Fiction (1980), Arthurian Literature and Society (1983), Geoffrey Chaucer (1986), Robin Hood: A Complete Study of the English Outlaw (1994), Robin Hood: A Mythic Biography ( 2003) and Crime Fiction 1800-2000: Detection, Death, Diversity (2004).
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